From the voice to the voices in the poem: an analitic-critic Reading about “Sed” and “aborto de poema en oficina pública 31”, by Susana Thénon

Abstract

A critical assessment of the shift in enunciation in Susana Thénon's poetry based on the study of the metaboles (Group μ) in the poems "Sed"—from her second collection, Habitante de la nada (1959)—and "aborto de poema en oficina pública 31"—published in distancias (1984). Based on the results of the analysis, a deconstructive reading of the poems is developed, taking into account three main axes: the binary opposition in the texts; the identification of internal fissures or contradictions in the text that purports to provide a logos; and, finally, finding the matrix of meaning that governs both texts and dismantling it based on their internal contradictions.